The three pieces that make up Interlocutors: Cabinets for Small Curiosities have an explicit visual relationship to particular architectural forms, the kind of ‘found’ architecture of industrial and agricultural structures that have long fascinated me. Each piece is named for the specific locations where that imagery – through drawings and photographs of line, structure, and mass – have found particular resonance in these new works. The intention has been that the three cabinets speak to each other as a coherent whole as much as they speak to the things that they will house.
In the Goffman (1974) series, I have sought to produce works that are almost devoid of characteristics. As such they focus attention on the objects we see in or on them, or through them in the larger environment: they frame aspects of experience. But by presenting such minimal pieces they also help us to invert the figure/ground situation to ask what it is that the furniture does. The (hypothetical) silver vessel is assumed to be the figure and the cabinet the ground. These pieces clearly have a physical presence and a level of precision in their making but lack many of the ‘signifiers’ of craft/studio furniture such as beautiful joinery, and are made from relatively commonplace materials. By this measure they are deliberately banal: I have intended that they be looked through literally and metaphorically. They frame the objects that they support, and they frame views of the space beyond. In this way they reach inward to their relationship to what they contain, and outward to what contains them. These frames change individually and in relationship to each other as we move around the pieces. – David Gates
David Gates designs and makes furniture from his studio and workshop in South London. He has exhibited extensively throughout the U.K. and won the prestigious British prizes ‘Wesley Barrell Craft Award for Established Makers’ (2011) and the ‘Jerwood Award for Contemporary Making’ (2010). Gates is a founder member of the artist-led collective, Intelligent Trouble, a trans-disciplinary project exploring the idea of the social production of work. Through working collaboratively in projects such as Intelligent Trouble, Gates has found the avenues to explore materials and processes beyond his expertise in wood, particularly textile, metal and sound. His thesis-based PhD research at King’s College London focuses on the communicative practices, narratives and discourses of craft practice. He has recently authored a chapter for the book Oral History in the Visual Arts. (Partington and Sandino, eds.) He was a part-time senior lecturer at London Metropolitan University from 2002-2011 writing, supervising and delivering studio, workshop and theory aspects of furniture, product and craft courses. Recent exhibitions include; Taking Time; Craft and the Slow Revolution, (2009-11) Intelligent Trouble at Contemporary Applied Arts (2010), Jerwood Contemporary Makers, (2010-11), Starting Points at the Siobhan Davies Dance Studios (2010), Host, San Francisco (2011) and The Tool at Hand, Milwaukee (2012).
Featuring works by John Makepeace, Nic Webb, Marlène Huissoud, David Gates, Aneta Regel, Marc Ricourt, Adi Toch, Peter Marigold, Wycliffe Stutchbury and Eleanor Lakelin.
Designers: Juliette Bigley, Ane Christensen, Helen Carnac & David Gates, Rebecca de Quin, Christopher Duffy, Ernst Gamperl, Marlène Huissoud, Eleanor Lakelin, John Makepeace, Peter Marigold, Marc Ricourt, Simone ten Hompel, Adi Toch, Joseph Walsh, Nic Webb.
Designers: Beatwoven, Helen Carnac & David Gates, Christopher Duffy, Ernst Gamperl, Zaha Hadid & Gareth Neal, Marlène Huissoud, Eleanor Lakelin, Andrew Mackenzie, John Makepeace, Marc Ricourt, Joseph Walsh, Nic Webb.
Designers: Beatwoven, Helen Carnac, Christopher Duffy, Ernst Gamperl, David Gates, Marlène Huissoud, Eleanor Lakelin, John Makepeace, Aneta Regel, Marc Ricourt, Marcin Rusak, Wycliffe Stutchbury, Joseph Walsh, Nic Webb.
Works by Helen Carnac, Christopher Duffy, Ernst Gamperl, David Gates, Ruth Gurvich (kindly loaned by Vacheron Constantin), Zaha Hadid, Marlène Huissoud, Eleanor Lakelin, Gareth Neal, John Makepeace, Aneta Regel, Marc Ricourt, Wycliffe Stutchbury, Joseph Walsh and Nic Webb.
Works by Aneta Regel, Eleanor Lakelin, Ernst Gamperl, Gareth Neal, Helen Carnac and David Gates, Jim Partridge, Joseph Walsh, Liam Flynn, Marc Ricourt, Michael Peterson, Nic Webb, Peter Marigold, Wycliffe Stutchbury.
New works by Maisie Broadhead, Christopher Duffy, Liam Flynn, Ernst Gamperl, David Gates, Eleanor Lakelin, Gareth Neal, Michael Peterson, Marc Ricourt, Joseph Walsh, Wycliffe Stutchbury.
A selection of new works by our contemporary makers and designers.
SARAH MYERSCOUGH GALLERY is delighted to announce its exclusive representation of the collaborative sculpted oak vessels by architect Zaha Hadid and designer Gareth Neal, first exhibited at the Victoria and Albert Museum London as part of “The Wish List” during the London Design Festival 2014. The vessels will be shown at COLLECT 2015, alongside new works by Thomas Bohle, Friedemann Buehler, Christian Burchard, David Gates, Liam Flynn, Ernst Gamperl, Shelley James, Peter Marigold, Malcolm Martin and Gaynor Dowling, Pascal Oudet, Michael Peterson, Marc Ricourt and Nic Webb.
Sarah Myerscough Gallery, in partnership with the London Design Festival, is delighted to present ‘On Display’, a group show featuring work by contemporary British designers, David Gates and Peter Marigold, metal smith artist Grant McCaig, Austrian ceramicist Thomas Bohle and Japanese jewellery designer Mariko Sumioka