David Gates & Helen Carnac
David is drawn to industrial and agricultural architecture and infrastructure. This includes storage depots, jetties and wharves, grain silos, coastal defences, radio towers and pylons. Looking across to the cranes, buildings, and conveyors of the Tate; Lyle factory, his riverside studio is close to the remaining Thames-side wharves and jetties and on the way to the flat landscape of the estuary. There is a peculiar rightness to many of these structures related to their expediency, function, and immediacy. Their rationality and utility generate a sculptural and aesthetic integrity. None of the cabinets are ‘of’ a particular structure or building although some are more strongly related to particular sites. However, they all embrace an overall aesthetic and approach that emerges from observation, photography, and drawing.
All of the cabinets are explicitly three-dimensional. Unlike much cabinet furniture, which has a definite front, these pieces have multiple elevations of interest. This is part of a strategy of slowing down, of taking time to engage with a piece and explore the openings, niches, and drawers and the part they take in the overall form. Additionally, the architecture they are drawn from, as a contemporary vernacular, rarely present themselves with a grand front elevation. The furniture shares this quality of being structures in the round whose forms and points of interest shift and change as ones viewpoint moves – there is an element of chance in how they are encountered and assessed. Function is deliberately vague, no precise use is prescribed as each piece is designed and made. All the cabinets are functional but this emerges through use, each becomes particular to a specific context: their vagueness lends them to the particular.
David Gates designs and makes “striking pieces of three-dimensional art, inspired by, but not delimited by the idea of cabinet furniture.” (Emma Crichton Miller, Crafts Sep/Oct 2017). London-born London-based David combines studio furniture-making with formal research. His work is exhibited and collected internationally. Public collections include the Nasjonalmuseet for Kunst Arkitekturog Design, Oslo and the Crafts Council in the UK. He received the Gold Award at the Cheongju biennale, South Korea in 2015 and was a winner of the Jerwood Contemporary Makers 2010. David holds a PhD by thesis from Kings College London having researched the use of talk as an aspect of practice amongst professional craftspeople. His first degree is in Furniture and Product Design (Ravensbourne College of Art 1988) and he established his studio in 1992.
Featuring works by John Makepeace, Ernst Gamperl, Marc Ricourt, Eleanor Lakelin, Marlène Huissoud, Adi Toch, David Gates, Helen Carnac, Nic Webb, Alex Devol, Sarah Pschorn, Adam Buick, Studio Furthermore, Joe Hogan, Michael Geertsen, Jim Partridge and Jochen Holz.
Designers: Juliette Bigley, Ane Christensen, Helen Carnac & David Gates, Rebecca de Quin, Christopher Duffy, Ernst Gamperl, Marlène Huissoud, Eleanor Lakelin, John Makepeace, Peter Marigold, Marc Ricourt, Simone ten Hompel, Adi Toch, Joseph Walsh, Nic Webb.
Designers: Beatwoven, Helen Carnac & David Gates, Christopher Duffy, Ernst Gamperl, Zaha Hadid & Gareth Neal, Marlène Huissoud, Eleanor Lakelin, Andrew Mackenzie, John Makepeace, Marc Ricourt, Joseph Walsh, Nic Webb.
Designers: Beatwoven, Helen Carnac, Christopher Duffy, Ernst Gamperl, David Gates, Marlène Huissoud, Eleanor Lakelin, John Makepeace, Aneta Regel, Marc Ricourt, Marcin Rusak, Wycliffe Stutchbury, Joseph Walsh, Nic Webb.
Works by Helen Carnac, Christopher Duffy, Ernst Gamperl, David Gates, Ruth Gurvich (kindly loaned by Vacheron Constantin), Zaha Hadid, Marlène Huissoud, Eleanor Lakelin, Gareth Neal, John Makepeace, Aneta Regel, Marc Ricourt, Wycliffe Stutchbury, Joseph Walsh and Nic Webb.
Works by Aneta Regel, Eleanor Lakelin, Ernst Gamperl, Gareth Neal, Helen Carnac and David Gates, Jim Partridge, Joseph Walsh, Liam Flynn, Marc Ricourt, Michael Peterson, Nic Webb, Peter Marigold, Wycliffe Stutchbury.
New works by Maisie Broadhead, Christopher Duffy, Liam Flynn, Ernst Gamperl, David Gates, Eleanor Lakelin, Gareth Neal, Michael Peterson, Marc Ricourt, Joseph Walsh, Wycliffe Stutchbury.
SARAH MYERSCOUGH GALLERY is delighted to announce its exclusive representation of the collaborative sculpted oak vessels by architect Zaha Hadid and designer Gareth Neal, first exhibited at the Victoria and Albert Museum London as part of “The Wish List” during the London Design Festival 2014. The vessels will be shown at COLLECT 2015, alongside new works by Thomas Bohle, Friedemann Buehler, Christian Burchard, David Gates, Liam Flynn, Ernst Gamperl, Shelley James, Peter Marigold, Malcolm Martin and Gaynor Dowling, Pascal Oudet, Michael Peterson, Marc Ricourt and Nic Webb.