London’s Sarah Myerscough gallery is back too with a curation titled ‘Material Shores’, a collection of boundary-pushing work crafted from sisal, rice straw, willow, grasses and wood that captures the immediacy of the organic world – as well as championing innovative, sustainable and restorative design practices. The centrepiece of this presentation is a commanding eco-contemporary reimagining of the chandelier by Angela Damman. Hand-crafted from sansevieria plant fibre, it exudes opulence and luscious materiality.
A preview of a selection of this year’s exhibitors reveals some cutting edge contemporary works
Charlotte Abrahams , The Design Edit, November 21, 2022
London’s Sarah Myerscough gallery is back too with a curation titled ‘Material Shores’, a collection of boundary-pushing work crafted from sisal, rice straw, willow, grasses and wood that captures the immediacy of the organic world – as well as championing innovative, sustainable and restorative design practices. The centrepiece of this presentation is a commanding eco-contemporary reimagining of the chandelier by Angela Damman. Hand-crafted from sansevieria plant fibre, it exudes opulence and luscious materiality.