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The Natural Room ii at FOG

Past exhibition
19 - 22 January 2023
  • Installation Views
  • Overview
  • Works
  • Press
Installation Views
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Overview
The Natural Room ii at FOG
The Natural Room collection is an approach to living through design that respectfully connects us to the natural world. It aims to create interiors that are of our moment – to focus our thoughts and reflect on our lives - while embodying a long-term vision of how we might live in the future.
 
It involves ethical and emotional decisions to use slow grown, organic materials and skill-based craft. The international artist-designer-makers included in the collection embrace these ideologies of sustainability and conscious sourcing to create beautifully crafted furniture pieces and sculptural objects in materials such as wood, jute, sisal, willow, and stoneware.
 

A significant work in The Natural Room II is a new and monumental handwoven, naturally hand-dyed sculptural tapestry from fiber artist Teresa Hastings.  Showing for the first time with the gallery, Teresa’s textile practice is rooted in a philosophy which prioritises the honesty of construction and holds itself accountable for the implications of the full journey of making, from source material to wall. Her richly tactile tapestries are made using fibres ranging from wool and washi paper to puddled iron, and are traditionally dyed across many weeks using natural materials including Myrobalan plum, lichen and sweet chestnuts. Teresa splits her practice between London and her studio in the Indian Himalayas. She embraces the varied challenges and constrictions of the climate when making or sourcing materials in India and delights in forging connections and collaborating with local textile communities, felting, dying and making with their support. 

 

We will also show new, innovative explorations of crafted lighting from Julian Watts and Nic Webb. Julian’s tabletop pieces combine and play with his distinctive roster of forms and texture familiar from his sculptural work: delicate constructions of foraged, carved then bronze-cast sticks, seductive, biomorphic blobs and the many planes and ridges of his chisel textured wall pieces. From Nic Webb  we will show a new  blonde and honey-toned handcarved  pendant in storm-felled English Oak, the newest addition to his Kumo Collection.

 

Following his great reception with us at PAD London we are delighted to be showing five objects from Hong-gu Park’s Nameoji Collection, crafted in Birch and finished with traditional Korean lacquer and oil. We are also presenting scorched seating from John Makepace OBE, Jim Partridge and Liz Walmsley, and a squid ink stained Oak and Bronze console and chair from Marc Fish. Alongside these, the stand will be richly populated by the captivating pyrographs of Etsuko Ichikawa, Inclusion Moon Jars by Adam Buick and tactile turned objects from Ernst Gamperl and Eleanor Lakelin.   

 
Jute and sisal feel like grass between our fingertips, sanded oak like silk, and woven willow crackles under pressure; to stimulate the viewer in ways beyond a purely visual engagement, appealing to an inner need for sensorial invigoration - one that recalls the many pleasures of the natural world. At this moment in time, it feels more pertinent than ever to arrive back at a home which invigorates our senses, calms our minds and connects us to different localities, their makers and communities. Each piece in the collection is imbued with a personality that brings character into our interior spaces. These objects and furniture pieces ask to be treasured as heirlooms in our families over time, instead of falling into the pitfalls and landfills of fast consumerism.
 
When you live with these objects you connect with their journey - with the desires, skill and creativity of the maker but also with the objects’ lived natural history. The hard thin ridge of growth expresses a particularly harsh winter, the twist of a green-turned vessel shows the wood shucking off its old life to become something new.
 
Enter the Natural Room and make sense of these stories. Allow them to help you see the world in a new light, be drawn into a world of material and into the love of its crafting.
 

artists - designer - makers taking part in The Natural Room ii : 

Julian Watts, Adam Buick, Marc Fish, Katrien Doms, Luke Fuller, Ernst Gamperl, Marc Ricourt, Teresa Hastings, Park Hong-Gu, Christopher Kurtz, Alida-Kuzemczak-Sayer, Eleanor Lakelin, Fernando Laposse, John Makepeace OBE, Peter Marigold, Tadanori Tozawa, Nic Webb, Arko, Luke Fuller, Jim Partridge and Liz Walmsley. 

Works
  • Jim Partridge & Liz Walmsley Rocking Chair, 2022 Oak 127 H x 43 W x 67 D cm / 50 H x 16.9 W x 26.38 D In
    Jim Partridge & Liz Walmsley
    Rocking Chair, 2022
    Oak
    127 H x 43 W x 67 D cm /
    50 H x 16.9 W x 26.38 D In
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  • Eleanor Lakelin, Black Calyx II/22, 2022
    Eleanor Lakelin, Black Calyx II/22, 2022
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  • Eleanor Lakelin Column Vessel I/22, 2022 Horse Chestnut 136 H x 36 ⌀ cm / 53.54 H x 14.17 ⌀ In
    Eleanor Lakelin
    Column Vessel I/22, 2022
    Horse Chestnut
    136 H x 36 ⌀ cm /
    53.54 H x 14.17 ⌀ In
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  • Eleanor Lakelin Citadel VI/22, 2022 Horse Chestnut 25 H x 22 dia cm / 9.84 H x 8.66 dia In
    Eleanor Lakelin
    Citadel VI/22, 2022
    Horse Chestnut
    25 H x 22 dia cm /
    9.84 H x 8.66 dia In
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  • Nic Webb Eda Pendant from the Kumo Collection, 2022 English oak, flamed exterior and oiled interior 190 W x 85 D x 45 H cm 74.8 W x 33.5 D x 17.7 H In
    Nic Webb
    Eda Pendant from the Kumo Collection, 2022
    English oak, flamed exterior and oiled interior
    190 W x 85 D x 45 H cm
    74.8 W x 33.5 D x 17.7 H In
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  • Nic Webb, Redwood Vessel, 2022
    Nic Webb, Redwood Vessel, 2022
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  • Fernando Laposse, Sisal Pup (Black), 2021
    Fernando Laposse, Sisal Pup (Black), 2021
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  • Christopher Kurtz Skipping Stone Table, 2022 Walnut, Oak, Cherry and Tulipwood with graphite 76 H x 249 W x 114.3 D cm 29.9 H x 98 W x 45 D In
    Christopher Kurtz
    Skipping Stone Table, 2022
    Walnut, Oak, Cherry and Tulipwood with graphite
    76 H x 249 W x 114.3 D cm
    29.9 H x 98 W x 45 D In
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  • Christopher Kurtz, Meridian 1222, 2022
    Christopher Kurtz, Meridian 1222, 2022
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  • Christopher Kurtz Wavelet Console, 2022 Oxidized Black Walnut 86.5 H x 182 W x 43 D cm / 34 H x 71.65 W x 16.93 D In
    Christopher Kurtz
    Wavelet Console, 2022
    Oxidized Black Walnut
    86.5 H x 182 W x 43 D cm /
    34 H x 71.65 W x 16.93 D In
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  • Adam Buick Inclusion Jar 7, 2022 Porcelain with Abereiddi Slate pebble inclusion 44 H cm / 17.32 H In
    Adam Buick
    Inclusion Jar 7, 2022
    Porcelain with Abereiddi Slate pebble inclusion
    44 H cm /
    17.32 H In
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  • Adam Buick Inclusion Jar 2, 2022 Porcelain with Abereiddi Slate pebble inclusion 45 H cm / 17.71 H In
    Adam Buick
    Inclusion Jar 2, 2022
    Porcelain with Abereiddi Slate pebble inclusion
    45 H cm /
    17.71 H In
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  • Katrien Doms, Ukiyo 031, 2022
    Katrien Doms, Ukiyo 031, 2022
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  • Alida Kuzemczak-Sayer Dark Signature, 2022 Sumi ink on Japanese kozo and hemp paper 124 H x 76 W x 4.5 D cm / 48.82 H x 29.92 W x 1.77 In
    Alida Kuzemczak-Sayer
    Dark Signature, 2022
    Sumi ink on Japanese kozo and hemp paper
    124 H x 76 W x 4.5 D cm /
    48.82 H x 29.92 W x 1.77 In
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  • Marc Ricourt, 09 Walnut 09.19, 2019
    Marc Ricourt, 09 Walnut 09.19, 2019
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  • Etsuko Ichikawa Trace 1822, 2022 Glass Pyrograph on paper 76.2 H x 114.3 W cm / 30 H x 45 W In
    Etsuko Ichikawa
    Trace 1822, 2022
    Glass Pyrograph on paper
    76.2 H x 114.3 W cm /
    30 H x 45 W In
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  • Arko Composition Marcato (B), 2021 Rice Straw 73 H x 31 W x 10 D cm / 28.7 H x 12.2 W x 3.9 D In
    Arko
    Composition Marcato (B), 2021
    Rice Straw
    73 H x 31 W x 10 D cm /
    28.7 H x 12.2 W x 3.9 D In
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  • Arko, Composition Rubato, 2021
    Arko, Composition Rubato, 2021
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  • Arko Composition Marcato (A), 2021 Rice Straw 70 H x 27 W x 10 D cm / 27.6 H x 10.63 W x 3.9 D In
    Arko
    Composition Marcato (A), 2021
    Rice Straw
    70 H x 27 W x 10 D cm /
    27.6 H x 10.63 W x 3.9 D In
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  • Arko, Composition Allargando, 2021
    Arko, Composition Allargando, 2021
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  • Arko Composition Rinforzando, 2021 Rice Straw 79 H x 30 W x 10 D cm / 31.1 H x 11.8 W x 3.9 D In
    Arko
    Composition Rinforzando, 2021
    Rice Straw
    79 H x 30 W x 10 D cm /
    31.1 H x 11.8 W x 3.9 D In
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EArko%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EComposition%20Rinforzando%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ERice%20Straw%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E79%20H%20x%2030%20W%20x%2010%20D%20cm%20/%20%3Cbr/%3E%0A31.1%20H%20x%2011.8%20W%20x%203.9%20D%20In%20%3C/div%3E
  • Julian Watts Stack Lamp, 2022 Bronze 34.2 H x 45.7 x 40.6 cm 13.5 H x 18 W x 16 D inches
    Julian Watts
    Stack Lamp, 2022
    Bronze
    34.2 H x 45.7 x 40.6 cm
    13.5 H x 18 W x 16 D inches
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EJulian%20Watts%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EStack%20Lamp%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EBronze%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E34.2%20H%20x%2045.7%20x%2040.6%20cm%3Cbr/%3E%0A13.5%20H%20x%2018%20W%20x%2016%20D%20inches%3C/div%3E
  • Julian Watts, Stick Lamp, 2022
    Julian Watts, Stick Lamp, 2022
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJulian%20Watts%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EStick%20Lamp%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2022%3C/span%3E
  • Luke Fuller, Deformation, 2022
    Luke Fuller, Deformation, 2022
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ELuke%20Fuller%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EDeformation%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2022%3C/span%3E
  • Luke Fuller, Accretion, 2022
    Luke Fuller, Accretion, 2022
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ELuke%20Fuller%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EAccretion%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2022%3C/span%3E
  • Luke Fuller Scarped, 2022 Stoneware & Porcelain 61 H x 35 W x 33 D cm / 24 H x 13.78 W x 13 D In
    Luke Fuller
    Scarped, 2022
    Stoneware & Porcelain
    61 H x 35 W x 33 D cm /
    24 H x 13.78 W x 13 D In
    Enquire
    %3Cdiv%20class%3D%22artist%22%3ELuke%20Fuller%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EScarped%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EStoneware%20%26%20Porcelain%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E61%20H%20x%2035%20W%20x%2033%20D%20cm%20/%20%3Cbr/%3E%0A24%20H%20x%2013.78%20W%20x%2013%20D%20In%20%3C/div%3E
  • Teresa Hastings Not me, 2022 Wool, Washi paper, Hammered iron wire Main body 210 H cm x 180 W cm / 82.68 H x 70.87 W In With Rya-Knot fringing 320 H cm x 180 W cm / 125.98 H cm x 70.87 W In
    Teresa Hastings
    Not me, 2022
    Wool, Washi paper, Hammered iron wire
    Main body 210 H cm x 180 W cm / 82.68 H x 70.87 W In
    With Rya-Knot fringing 320 H cm x 180 W cm / 125.98 H cm x 70.87 W In
    Enquire
    %3Cdiv%20class%3D%22artist%22%3ETeresa%20Hastings%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ENot%20me%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%20%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWool%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EWashi%20paper%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EHammered%20iron%20wire%20%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EMain%20body%20210%20H%20cm%20x%20180%20W%20cm%20/%2082.68%20H%20x%2070.87%20W%20In%20%3Cbr/%3E%0AWith%20Rya-Knot%20fringing%20320%20H%20cm%20x%20180%20W%20cm%20/%20125.98%20H%20cm%20x%2070.87%20W%20In%20%3Cbr/%3E%0A%3C/div%3E
  • Ernst Gamperl 53/2022//180, 2022 Ash 98 H x 47 W x 47 D cm 38.58 H x 18.5 W x 18.5 D In
    Ernst Gamperl
    53/2022//180, 2022
    Ash
    98 H x 47 W x 47 D cm
    38.58 H x 18.5 W x 18.5 D In
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EErnst%20Gamperl%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E53/2022//180%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAsh%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E98%20H%20x%2047%20W%20x%2047%20D%20cm%3Cbr/%3E%0A38.58%20H%20x%2018.5%20W%20x%2018.5%20D%20In%3C/div%3E
  • Ernst Gamperl, 84/2021//180 (RIGHT IN IMAGE), 2021
    Ernst Gamperl, 84/2021//180 (RIGHT IN IMAGE), 2021
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EErnst%20Gamperl%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3E84/2021//180%20%28RIGHT%20IN%20IMAGE%29%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2021%3C/span%3E
  • Ernst Gamperl 40/2020//170, 2020 Oak 70 H x 34 ø cm / 27.56 H x 13.39 ø In
    Ernst Gamperl
    40/2020//170, 2020
    Oak
    70 H x 34 ø cm /
    27.56 H x 13.39 ø In
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EErnst%20Gamperl%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E40/2020//170%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2020%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOak%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E70%20H%20x%2034%20%C3%B8%20cm%20/%20%3Cbr/%3E%0A27.56%20H%20x%2013.39%20%C3%B8%20In%20%3Cbr/%3E%0A%3C/div%3E
  • Ernst Gamperl 78/2021//180, 2021 Ash 45 H x 32 W x 32 D cm 17.7 H x 12.6 W x 12.6 D In
    Ernst Gamperl
    78/2021//180, 2021
    Ash
    45 H x 32 W x 32 D cm
    17.7 H x 12.6 W x 12.6 D In
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EErnst%20Gamperl%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E78/2021//180%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAsh%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E45%20H%20x%2032%20W%20x%2032%20D%20cm%3Cbr/%3E%0A17.7%20H%20x%2012.6%20W%20x%2012.6%20D%20In%3C/div%3E
  • John Makepeace OBE, Trine Cloud Chair IV, 2021
    John Makepeace OBE, Trine Cloud Chair IV, 2021
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJohn%20Makepeace%20OBE%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ETrine%20Cloud%20Chair%20IV%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2021%3C/span%3E
  • John Makepeace OBE, Trine Cloud Chair III, 2021
    John Makepeace OBE, Trine Cloud Chair III, 2021
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJohn%20Makepeace%20OBE%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ETrine%20Cloud%20Chair%20III%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2021%3C/span%3E
  • Marc Fish One Piece, 2022 black squid ink dyed oak and bronze 116 H x 55 W x 66 D cm / 45.47 H x 21.65 W x 25.98 D In Edition of 25 - (#6/25)
    Marc Fish
    One Piece, 2022
    black squid ink dyed oak and bronze
    116 H x 55 W x 66 D cm /
    45.47 H x 21.65 W x 25.98 D In
    Edition of 25 - (#6/25)
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EMarc%20Fish%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EOne%20Piece%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eblack%20squid%20ink%20dyed%20oak%20and%20bronze%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E116%20H%20x%2055%20W%20x%2066%20D%20cm%20/%20%3Cbr/%3E%0A45.47%20H%20x%2021.65%20W%20x%2025.98%20D%20In%20%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%2025%20-%20%28%236/25%29%3C/div%3E
  • Marc Fish, One Piece Console , 2022
    Marc Fish, One Piece Console , 2022
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EMarc%20Fish%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EOne%20Piece%20Console%20%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2022%20%3C/span%3E
  • Park Hong-gu, Nameoji iii (far left), 2016
    Park Hong-gu, Nameoji iii (far left), 2016
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EPark%20Hong-gu%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ENameoji%20iii%20%28far%20left%29%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2016%3C/span%3E
  • Park Hong-Gu, Nameoji 83-75 (right in image), 2018
    Park Hong-Gu, Nameoji 83-75 (right in image), 2018
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EPark%20Hong-Gu%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ENameoji%2083-75%20%28right%20in%20image%29%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2018%3C/span%3E
  • Park Hong-Gu Nameoji M3 (centre in image), 2022 Carved and scorched wood (Korean birch) with traditional lacquer 26.5 H x 34 W x 30 D cm / 10.43 H x 13.39 W x 11.81 D In
    Park Hong-Gu
    Nameoji M3 (centre in image), 2022
    Carved and scorched wood (Korean birch) with traditional lacquer
    26.5 H x 34 W x 30 D cm /
    10.43 H x 13.39 W x 11.81 D In
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EPark%20Hong-Gu%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ENameoji%20M3%20%28centre%20in%20image%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ECarved%20and%20scorched%20wood%20%28Korean%20birch%29%20with%20traditional%20lacquer%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E26.5%20H%20x%2034%20W%20x%2030%20D%20cm%20/%20%3Cbr/%3E%0A10.43%20H%20x%2013.39%20W%20x%2011.81%20D%20In%3C/div%3E
  • Park Hong-Gu Nameoji 40-31, 2018 Carved and Scorched wood (Korean Birch) with traditional lacquer 24.5 x 29.5 x 42.3 cm / 9.65 x 11.61 x 16.7 In
    Park Hong-Gu
    Nameoji 40-31, 2018
    Carved and Scorched wood (Korean Birch) with traditional lacquer
    24.5 x 29.5 x 42.3 cm /
    9.65 x 11.61 x 16.7 In
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EPark%20Hong-Gu%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ENameoji%2040-31%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2018%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ECarved%20and%20Scorched%20wood%20%28Korean%20Birch%29%20with%20traditional%20lacquer%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E24.5%20x%2029.5%20x%2042.3%20cm%20/%3Cbr/%3E%0A9.65%20x%2011.61%20x%2016.7%20In%20%3C/div%3E
  • Park Hong-Gu, Nameoji (second from right), 2018
    Park Hong-Gu, Nameoji (second from right), 2018
    Enquire
    %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EPark%20Hong-Gu%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ENameoji%20%28second%20from%20right%29%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2018%3C/span%3E
  • Peter Marigold & TADANORI TOZAWA Dodai Bench Dark (Medium), 2022 Hiba (Japanese cypress) and Igusa (woven grass) 180L x 38D x 42H cm / 70.87 L x 14.86 D x 16.54 H In
    Peter Marigold
    & TADANORI TOZAWA
    Dodai Bench Dark (Medium), 2022
    Hiba (Japanese cypress) and Igusa (woven grass)
    180L x 38D x 42H cm /
    70.87 L x 14.86 D x 16.54 H In
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EPeter%20Marigold%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E%26%20TADANORI%20TOZAWA%3Cbr/%3E%0ADodai%20Bench%20Dark%20%28Medium%29%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2022%3Cbr/%3E%0AHiba%20%28Japanese%20cypress%29%20and%20Igusa%20%28woven%20grass%29%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E180L%20x%2038D%20x%2042H%20cm%20/%20%3Cbr/%3E%0A70.87%20L%20x%2014.86%20D%20x%2016.54%20H%20In%20%3C/div%3E
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