Nic carves, scorches, burns, soaks and stains different species of fallen wood to create pieces that explore the natural drama of the material. He responds in a spontaneous, personal way to the individual character of each piece of wood, using intuitive processes to work in dialogue with the timber’s imperfections. He encourages cracks and splits to express themselves on the surface and contrasts areas of natural grain with highly polished smooth exteriors. The artist plays, too, with myriad shapes and forms - classical fluted vessels that swoop in graceful curves; mountainous rugged edges, or undulating dips and folds; and abrupt, angular pieces that openly reveal the artist’s sculpting hand. 

To achieve his powerful works, Nic uses traditional tools, modern methods as well as experimental forms of carving; he explores the natural elements of ice, water and principally fire to shape his work in an unbound and organic manner. Webb comments that, ‘as fire journeys into wood, forms are revealed, briefly seen and quickly disappear. These vessels begin in primitive crudeness, move through varying states of function, and evolve or ‘devolve’ towards a delicate border between existence and absence. On the whole, the fire and the wood burn as they wish. As the piece concludes, I intervene, shepherd and finally halt the progress of loss at the place before all remnants of the journey are gone.’