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Raw Edges | FOG 2025

Past exhibition
23 - 26 January 2025
  • PRESS
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  • Sarah Myerscough Gallery is excited to be participating at FOG Design+Art 2025 with our curated exhibition, 'Raw Edges'.
     
    An edge reveals a material transition, a point of tension and transformation marked by cuts, folds, or fissures. It is both boundary and threshold, where raw-hewn surfaces meet refined craftsmanship, dissolving surface into its surroundings. Here, the material asserts itself—its grain, texture, and inner life exposed—while simultaneously bearing the imprint of the artist’s intervention. The edge becomes a frame of convergence, a site for the natural and the intentional to coalesce in sculptural contiguity.
     
    “The edge, like the work itself, must contend with imperfection—it is a space where the natural irregularities of the material are resolved or celebrated, and where the workmanship is either proven or betrayed.” - David Pye (The Nature and Art of Workmanship, 1968)
     
    Featured artists:
     
    Arko, Katrien Doms, Marc Fish, Luke Fuller, Full Grown, Teresa Hastings, Kenji Honma, Ernst Gamperl, Christopher Kurtz, Eleanor Lakelin, John Makepeace OBE, Peter Marigold, Adi Toch, Gareth Neal, Frances Pinnock, Marc Ricourt, Julian Watts, Nic Webb and George William Bell.
     
     
  • LOCATION

     

    BOOTH 204

    Fort Mason Center for Arts & Culture

    2 Marina Blvd

    San Francisco

    California

    • Gareth Neal, Of Cut Chair - Round with arm, 2024
      Gareth Neal, Of Cut Chair - Round with arm, 2024
    • Gareth Neal, Of Cut Chair - Round without arm, 2024
      Gareth Neal, Of Cut Chair - Round without arm, 2024
    • Christopher Kurtz, Sheets Credenza with shelves, 2024
      Christopher Kurtz, Sheets Credenza with shelves, 2024
    • Frances Pinnock Bombard Dyad I, 2020 Oak bark leather, hemp, beeswax
      Frances Pinnock
      Bombard Dyad I, 2020
      Oak bark leather, hemp, beeswax
    • Frances Pinnock, Bombard Dyad II, 2019
      Frances Pinnock, Bombard Dyad II, 2019
    • Frances Pinnock, Volatilia (Dream with Pelican), 2023
      Frances Pinnock, Volatilia (Dream with Pelican), 2023
    • Nic Webb, Yasu Kumo Pendant I, 2024
      Nic Webb, Yasu Kumo Pendant I, 2024
    • Nic Webb, Yasu Kumo Pendant II, 2024
      Nic Webb, Yasu Kumo Pendant II, 2024
    • Nic Webb, Yasu Kumo Pendant III, 2024
      Nic Webb, Yasu Kumo Pendant III, 2024
    • Nic Webb, Yasu Bench, 2024
      Nic Webb, Yasu Bench, 2024
    • Nic Webb Rikukai to Kumo (table), 2024 Elm
      Nic Webb
      Rikukai to Kumo (table), 2024
      Elm
    • Ernst Gamperl 41/2023//190, 2024 Oak
      Ernst Gamperl
      41/2023//190, 2024
      Oak
    • Peter Marigold and Tadanori Tozawa, Cleft 76 I/4 - Sen Console, 2024
      Peter Marigold and Tadanori Tozawa, Cleft 76 I/4 - Sen Console, 2024
    • Peter Marigold Cleft 76 II/4, 2024 Collaboration with Tadanori Tozawa Sen Wood
      Peter Marigold
      Cleft 76 II/4, 2024
      Collaboration with Tadanori Tozawa
      Sen Wood
    • Peter Marigold, Cleft 80 - Sen Console, 2024
      Peter Marigold, Cleft 80 - Sen Console, 2024
    • John Makepeace OBE Blonde Embrace Table, 2024 Oak
      John Makepeace OBE
      Blonde Embrace Table, 2024
      Oak
    • John Makepeace OBE Blonde Embrace Chair I, 2024 Oak
      John Makepeace OBE
      Blonde Embrace Chair I, 2024
      Oak
    • John Makepeace OBE, Blonde Embrace Chair (2), 2024
      John Makepeace OBE, Blonde Embrace Chair (2), 2024
    • Marc Fish, Kasumi Uchi Console table, 2024
      Marc Fish, Kasumi Uchi Console table, 2024
    • Teresa Hastings Where the Mountains Touch the River, 2024 Naturally dyed Himalayan wool, felted and tie-dyed Himalayan wool, Washi paper, hemp raffia & rusted iron wire
      Teresa Hastings
      Where the Mountains Touch the River, 2024
      Naturally dyed Himalayan wool, felted and tie-dyed Himalayan wool, Washi paper, hemp raffia & rusted iron wire
    • Teresa Hastings, I see, I know, 2024
      Teresa Hastings, I see, I know, 2024
    • Julian Watts, Black Curtain, 2024
      Julian Watts, Black Curtain, 2024
    • Julian Watts, Shape 2, 2024
      Julian Watts, Shape 2, 2024
    • Julian Watts Shape 3, 2024 Oxidized Cherry
      Julian Watts
      Shape 3, 2024
      Oxidized Cherry
    • Julian Watts, Shape 4, 2024
      Julian Watts, Shape 4, 2024
    • Julian Watts Shape 5, 2024 Oxidized Olive
      Julian Watts
      Shape 5, 2024
      Oxidized Olive
    • Julian Watts Shape 6, 2024 Oxidized Cherry
      Julian Watts
      Shape 6, 2024
      Oxidized Cherry
    • Katrien Doms Lakeside Serenade, 2024 Solid soft wood sculpted by heat, fire & climate
      Katrien Doms
      Lakeside Serenade, 2024
      Solid soft wood sculpted by heat, fire & climate
    • Full Grown, RJ Garner Chair - Sculpture, 2024
      Full Grown, RJ Garner Chair - Sculpture, 2024
    • Arko, Serendipity in The Sea, 2024
      Arko, Serendipity in The Sea, 2024
    • Luke Fuller Agglomerate, 2024 Stoneware & porcelain
      Luke Fuller
      Agglomerate, 2024
      Stoneware & porcelain
    • Marc Ricourt, Untitled 2, 2024
      Marc Ricourt, Untitled 2, 2024
    • Eleanor Lakelin Column Vessel #1, 2024 Horse Chestnut Burr (bleached)
      Eleanor Lakelin
      Column Vessel #1, 2024
      Horse Chestnut Burr (bleached)
    • Eleanor Lakelin Vessel #2 (Soma), 2024 Horse Chestnut Burr (bleached)
      Eleanor Lakelin
      Vessel #2 (Soma), 2024
      Horse Chestnut Burr (bleached)
    • Eleanor Lakelin Vessel #3 (Soma), 2024 Horse chestnut burr (scorched & oil-waxed)
      Eleanor Lakelin
      Vessel #3 (Soma), 2024
      Horse chestnut burr (scorched & oil-waxed)
    • Eleanor Lakelin, Bloma Vessel #1, 2024
      Eleanor Lakelin, Bloma Vessel #1, 2024
    • Eleanor Lakelin, Bloma Vessel #2, 2024
      Eleanor Lakelin, Bloma Vessel #2, 2024
    • Eleanor Lakelin, Citadel #5, 2024
      Eleanor Lakelin, Citadel #5, 2024
    • Eleanor Lakelin Citadel #2, 2023 Horse Chestnut Burr (bleached)
      Eleanor Lakelin
      Citadel #2, 2023
      Horse Chestnut Burr (bleached)
    • Kenji Honma, WA-RI-KI 2218, 2022
      Kenji Honma, WA-RI-KI 2218, 2022
    • Kenji Honma, WA-RI-KI 2203, 2022
      Kenji Honma, WA-RI-KI 2203, 2022
    • Kenji Honma, WA-RI-KI 2208, 2022
      Kenji Honma, WA-RI-KI 2208, 2022
    • Kenji Honma, WA-RI-KI 2220 Five-tiered-Box, 2022
      Kenji Honma, WA-RI-KI 2220 Five-tiered-Box, 2022
    • Kenji Honma, WA-RI-KI 2214, 2022
      Kenji Honma, WA-RI-KI 2214, 2022
    • Kenji Honma WA-RI-KI 2401, 2024 Japanese lacquer tree wood, lacquer (Urushi), pewter, stone powder & linen
      Kenji Honma
      WA-RI-KI 2401, 2024
      Japanese lacquer tree wood, lacquer (Urushi), pewter, stone powder & linen
    • Adi Toch, Shrouded 6 months under the water spout, 2024
      Adi Toch, Shrouded 6 months under the water spout, 2024
    • Adi Toch, Shrouded 4 months, 2024
      Adi Toch, Shrouded 4 months, 2024
    • Adi Toch, Shrouded 4 months , 2024
      Adi Toch, Shrouded 4 months , 2024
    • George William Bell, Fluid Topographies Object: 1, 2025
      George William Bell, Fluid Topographies Object: 1, 2025
    • George William Bell, Fluid Topographies Object: 2, 2025
      George William Bell, Fluid Topographies Object: 2, 2025
    • George William Bell, The Form in Flux: Object 4, 2025
      George William Bell, The Form in Flux: Object 4, 2025
    • George William Bell, The Form in Flux: Object 5, 2025
      George William Bell, The Form in Flux: Object 5, 2025
  • PRESS

    • Our highlights from FOG Design + Art 2025 in San Francisco
      Press

      Our highlights from FOG Design + Art 2025 in San Francisco

      January 28, 2025
      At FOG Design + Art fair, 59 international galleries gathered to showcase works by emerging and established talents, from colourful furniture to sculptural lighting. READ MORE
    • Actually Good Word Art—and More Genre-Defying Decor at This Year’s FOG Design + Art Fair
      Press

      Actually Good Word Art—and More Genre-Defying Decor at This Year’s FOG Design + Art Fair

      January 24, 2025
      In a moment when wood is being touted by many as the material that can build a more sustainable future, it was exciting to see the way designers were embracing...
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