Raw Edges | FOG 2025
Past exhibition
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Sarah Myerscough Gallery is excited to be participating at FOG Design+Art 2025 with our curated exhibition, 'Raw Edges'.An edge reveals a material transition, a point of tension and transformation marked by cuts, folds, or fissures. It is both boundary and threshold, where raw-hewn surfaces meet refined craftsmanship, dissolving surface into its surroundings. Here, the material asserts itself—its grain, texture, and inner life exposed—while simultaneously bearing the imprint of the artist’s intervention. The edge becomes a frame of convergence, a site for the natural and the intentional to coalesce in sculptural contiguity.“The edge, like the work itself, must contend with imperfection—it is a space where the natural irregularities of the material are resolved or celebrated, and where the workmanship is either proven or betrayed.” - David Pye (The Nature and Art of Workmanship, 1968)Featured artists:Arko, Katrien Doms, Marc Fish, Luke Fuller, Full Grown, Teresa Hastings, Kenji Honma, Ernst Gamperl, Christopher Kurtz, Eleanor Lakelin, John Makepeace OBE, Peter Marigold, Adi Toch, Gareth Neal, Frances Pinnock, Marc Ricourt, Julian Watts, Nic Webb and George William Bell.
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LOCATION
BOOTH 204
Fort Mason Center for Arts & Culture
2 Marina Blvd
San Francisco
California
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Gareth NealOf Cuts Chair - Round with arm, 2024English Oak -
Gareth NealOf Cuts Chair - Round without arm, 2024English Oak
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Christopher Kurtz, Sheets Credenza with shelves, 2024
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Frances PinnockBombard Dyad I, 2020Oak bark leather, hemp, beeswax
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Frances PinnockBombard Dyad II, 2021Leather, hemp, beeswax
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Frances PinnockVolatilia (Dream with Pelican), 2023Mixed media - leather, copper, wood, hemp, beeswax, shellac, iron sulphate
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Nic WebbYasu Kumo Pendant I, 2024Bleached oak with oiled interior
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Nic WebbYasu Kumo Pendant II, 2024Bleached oak with oiled interior
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Nic WebbYasu Kumo Pendant III, 2024Bleached oak with oiled interior
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Nic WebbYasu Bench, 2024Bleached and weathered oak, polished & oiled
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Nic WebbRikukai to Kumo (table), 2024Elm
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Ernst Gamperl41/2023//190, 2024Oak
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Peter Marigold and Tadanori Tozawa, Cleft 76 I/4 - Sen Console, 2024
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Peter Marigold and Tadanori Tozawa, Cleft 76 II/4 - Sen Console, 2024
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Peter Marigold, Cleft 80 - Sen Console, 2024
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John Makepeace OBEBlonde Embrace Table, 2024Oak
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John Makepeace OBEBlonde Embrace Chair (1), 2024Oak
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John Makepeace OBEBlonde Embrace Chair (2), 2024Oak
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Marc FishKasumi Uchi Console table, 2024Oak, bronze, aluminium and black lacquer
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Teresa HastingsWhere the Mountains Touch the River, 2024Naturally dyed Himalayan wool, felted and tie-dyed Himalayan wool, Washi paper, hemp raffia & rusted iron wire
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Teresa HastingsI See, I Know, 2024Hand spun natural hemp, hand spun & naturally dyed Afghan wool
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Julian WattsBlack Curtain, 2024Maple with India ink stain
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Julian WattsShape 2, 2024Oxidized Clairo Walnut
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Julian WattsShape 3, 2024Oxidized Cherry
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Julian WattsShape 4, 2024Oxidized Cherry
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Julian WattsShape 5, 2024Oxidized Olive
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Julian WattsShape 6, 2024Oxidized Cherry
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Katrien DomsLakeside Serenade, 2024Solid soft wood sculpted by heat, fire & climate
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Full GrownRJ Garner Chair - Sculpture, 2024Salix viminalis (Willow)
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ArkoSerendipity in the Sea, 2024Rice Straw
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Luke FullerAgglomerate, 2024Stoneware & porcelain
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Marc RicourtUntitled 2, 2024Oak
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Eleanor LakelinColumn Vessel #1, 2024Horse Chestnut Burr (bleached)
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Eleanor LakelinVessel #2 (Soma), 2024Horse Chestnut Burr (bleached)
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Eleanor LakelinVessel #3 (Soma), 2024Horse chestnut burr (scorched & oil-waxed)
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Eleanor LakelinBloma Vessel #1, 2024Horse Chestnut Burr (scorched)
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Eleanor Lakelin, Bloma Vessel #2, 2024
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Eleanor Lakelin, Citadel #5, 2024
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Eleanor LakelinCitadel #2, 2023Horse Chestnut Burr (bleached)
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Kenji HonmaWA-RI-KI 2218, 2022Japanese lacquer tree wood, lacquer, pewter, stone powder, linen
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Kenji HonmaWA-RI-KI 2203, 2022Japanese lacquer tree wood, lacquer, stone powder & linen
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Kenji HonmaWA-RI-KI 2208, 2022Japanese chestnut tree wood, lacquer, stone powder & linen
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Kenji HonmaWA-RI-KI 2220 Five-tiered-Box, 2022Japanese lacquer tree wood, lacquer, stone powder & linen
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Kenji HonmaWA-RI-KI 2214, 2022Japanese lacquer tree wood, lacquer, pewter, stone powder, linen
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Kenji HonmaWA-RI-KI 2401, 2024Japanese lacquer tree wood, lacquer (Urushi), pewter, stone powder & linen
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Adi TochShrouded 6 months under the water spout, 2024Copper
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Adi TochShrouded 4 months, 2024Silver plated
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Adi TochShrouded 4 months , 2024Silver plated, soil
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George William BellFluid Topographies Object: 1, 2025Blown, Sculpted and Sand Carved Glass
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George William Bell, Fluid Topographies Object: 2, 2025
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George William BellThe Form in Flux: Object 4, 2025Blown, sculpted, mirrored & sand carved glass
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George William BellThe Form in Flux: Object 5, 2025Blown, sculpted, mirrored & sand carved glass
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PRESS
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Our highlights from FOG Design + Art 2025 in San Francisco
January 28, 2025At FOG Design + Art fair, 59 international galleries gathered to showcase works by emerging and established talents, from colourful furniture to sculptural lighting. READ MORE -
Actually Good Word Art—and More Genre-Defying Decor at This Year’s FOG Design + Art Fair
January 24, 2025In a moment when wood is being touted by many as the material that can build a more sustainable future, it was exciting to see the way designers were embracing...
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