Kurtz’s pieces are born, first and foremost, from a sculptural motivation invested in the specificity of objecthood; he comments that, ‘for me, making sculpture is not a conceptual or immaterial practice, it’s physical. I settled on wood as my medium because it’s structural, but also malleable and alive.’ The artist expertly sculpts his material using a carefully chosen palette of tools; often beginning without a predetermined blueprint for the final piece, Christopher works intuitively to create poignant and poetic forms that respond to a personal narrative or reflection and which, in turn, elicit a powerful emotional response from the viewer

Specifically made for the Gallery, inspiration for Christopher’s Skipping Stone series comes from his treasured time skipping stones with his daughter on the Hudson River: ‘It's a way we end each day together. We love searching for the perfect river stone; the shapes are so beautiful to hold - sometimes we can't bear to toss the good ones into the river, and we end up putting them in our pockets, bringing them home and stacking them up’. He uses locally sourced wood such as black American walnut, ash, cherry and white oak and sensitively hand carves each piece into smooth elliptical pebble shapes, expressively balanced to form the structure of the work.