The works selected for the new exhibition at Sarah Myerscough Fine Art present seven disparate artists united by their playful, yet often sinister, questioning of the virtual and the real. Reality is not necessarily re-cast by the artists but is instead imbued with spatial and temporal shadows that, as in the work of Maisie Broadhead, question the very fabric of authenticity. Sublime nature is encroached upon by the industrial activities of man in the photography of Helen Saunders; the envisioned fantastical mindscapes of Rhiannon Edwards are put under stress by the aggressions of natural phenomena and the relentlessness of urbanity imposed by Sachiyo Nishimura upon rural idylls offers up the ceaseless expansions of man suspended in a digital space. We confront that Freudian sense of the uncanny, where the familiar becomes foreign and documented fact is precariously balanced over the abyss of manipulated fiction. Whether you are engrossed by KincaidŐs mysterious bestial images or spellbound by the spectre of Nicholas JollyŐs levitated figure, which, like the apex of Michael CorkreyŐs wave, holds its position with ominous intent, the show promises to be a fascinating exploration of a world in which boundaries are becoming indistinct. For further information or images, please contact the gallery.